READABLES:
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ARTICLES:
THE
HISTORY OF BEATBOXING
IRISH HIPHOP GETS SERIOUS
INTO
THE GROOVES
//
INTERVIEWS:
3
DEEP
HAZO
- THE ILL-DEPENDENTS
MARXMAN
RI-RA
ROOTS MANUVA
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REVIEWS:
STIGG
OF THE DUMP
SOUND INK - COLAPSUS
EXTRA YARD
PRESSURE POINTS
CHECK THE VISION
SCARYÉIRE
BELFAST
DMC HEATS 2000
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ALSO SEE:
BBOY SCIENCE |
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// SCARYÉIRE
live in Barnstormers, Dublin - February 1994
originally printed in 'Hip-Hop Connection'
There's
a steady swell of anticipation in the air at Dublin's Barnstormers
- a modest but intimate venue adjoining one of the city's few
biker pubs. As the audience fills and gathers around the small
two foot stage, simply adorned with a pair of decks and two mics,
three quarters of ScaryÉire huddle in a corner, getting busy with
the pre-gig herbals. They're an odd looking bunch - half street
urchin, half b-boy - you wouldn't guess they were Ireland's premier
rap crew if you passed them in the street.
It's a different story when they finally emerge on stage. They
stride on like they own the place, deejays Mek and Dada Sloosh
dropping immaculatly clipped beats as rappers Rí-Rá and Mr Browne
get physical on the frontline. Rí-Rá has an engaging delivery.
There's little recourse to accepted rap stylings, just full-on,
hard rhyming in an accent as thick as the local Guinness. And
what rhymes. There's an underlying aura of malcontent to ScaryÉire's
material. It's more than evident in the ska-infused 'Truncheon
Song', another take on the old rap staple of police brutality,
where a luckless peace campaigner gets battered for answering
back to our friends the filth. It's also there on the expletive-strewn
'Hold Yer Whist' and the kitchen sink drama sink drama of 'Da
Modda' - both tales of low-life Irish existence with scripts as
fruity and engaging as Roddy Doyle's literary distillations of
ordinary madness.
And while they prove they're more than capable of jumping around
and working a crowd, ScaryÉire give the lie to the notion that
they're a one trick pony. Two thirds through they drop some mellow
tackle that hitches a ride on the slow-mo P-funk bandwagon, but
minus the lazy drawl that usually accompanies such a diversion.
Elsewhere the beats seem to borrow from all quarters - reggae,
traditional Irish music, the old skool - the double deejay stint
allowing for some assured scratching between the breaks, as they
flip some maverick dance styles last witnessed on You've Been
Framed.
The crowd lap it all up with fervour. There's none of the arms-crossed,
'Go on, impress me then' motionless or begrudging feet-shuffling
that characterises homegrown gigs. Instead they're in rapture,
out for the crack and getting their full punts worth. "ScaryÉire
are excellent," whoops Claire after the show, as she waits for
the bus with her friend. "This is the third time I've seen them
and they're the bollox." But can they make it outside of Dublin?
"No," she replies point blank, "but who cares?" For what it's
worth, they just might. There's no denying the skills in the camp,
whether it translates into vinyl or accross the water is anyone's
guess. Island Records seem to think so, and they've been vindicated
countless times before. The suspicion was always that they might
just be picking up from where House Of Pain left off, but ScaryÉire
are out to prove they're defiantly their own men. Éire we go,
Éire we go, Éire we go...
Words: Andy Cowan - Photos: Julian Lloyd
. photos > [ 1 ]
[ 2 ]
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